Grace’s Short Guide to Art. Do You Know What You Like?

If you go to http://banksy.co.uk/ and watch the video of the artist’s brilliant take on all things theme park you will notice the end caption:

Where dreams never end. For five weeks only.

This is the last laugh. And he hasn’t missed a trick. For me, it is one of the qualities that defines an artist-that he has thought of it.

But Banksy-having started out as a subversive urban street artist has now become world renowned, collectable and presumably filthy rich. How does this sit with his satirical take on the paradoxes that make up everyday life? He is fully aware of the irony of the situation. In 2007, after three works of his sold at Sotheby’s for six figure sums, he posted on his website:

“I can’t believe you morons actually buy this shit”

What makes art appreciable? What makes art ‘art’, even? Once upon a time it was all about painting-religious or representational. Further back still it was a form of communication-used perhaps to tell others where the best herds of deer could be found or to boast of prowess in bringing home the venison.

Now though it has all become more complex, with disputes over what actually constitutes art, as artists seek to stretch the boundaries using video, installation, sound or themselves. They plunder the depths of their own personal lives [as in unmade beds] or use politics and social comment.

I like art and I enjoy gallery-going, except that in my shallow, unappreciative way I have to be entertained. The art must be ironic, witty or downright hilarious; or it must have caused a stir in the press, be controversial, thought-provoking or have been made in a unique way [as in unmade beds].

The latest offerings from The Turner Prize contestants provoked a flurry of comments along the lines of ‘anyone could do that’, a hackneyed old phrase that is trotted out every year as the December judging draws close. This year it is to be held in Glasgow, a refreshing change from London. The four offerings are some coats draped over the back of chairs, urban development as effected by a group of artist/designer/architects, a work of operatic sound and a multi-media presentation about something military and/or industrial.

I admit to being at a loss to comprehend any of these works except for the urban development project [which strikes me as a worthy undertaking though not what I would understand as ‘art’]. But perhaps you have to go and look at the exhibition before anything makes sense? Or does it have to make sense?

I won’t be travelling to Glasgow to see the Turner Prize exhibition, but I will be interested to know the outcome-albeit suppressing the ‘Emporer’s New Clothes’ syndrome that sneaks into the back of my head when delving into the mysterious depths of art. How about you?

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