Fiction Month. ‘The Courtyard Pest’ [Part 2]

               Nancy has heard enough from Jeffery and takes an escape route. Will she be able to integrate into her new community and can it offer her any of the comfort and friendship she misses?  Part 1 of this story can be found in last Sunday’s’s post on ‘Anecdotage’

The Courtyard Pest

Part 2

               Having had to demonstrate her intention by leaving the flat, she wanders along the High Street and turns down the lane leading to the library. There may be a noticeboard showing local events, groups and activities or at least someone who could point her in the right direction. The building is new with lots of internal glass. She spots a small, neat, grey woman like herself wearing a navy raincoat and realises it is herself, reflected in a rotating door.

The vast space is decorated in garish lime greens and scarlets. At a circular desk she has to wait as one librarian is attending to a young woman with a foreign accent and another is talking on the phone.

At last she is directed across to an area designated ‘local information’ where there are brochures, wall maps and a noticeboard advertising special interest groups and activities. She reads each flyer. There is a cycling club, meeting each Sunday morning at seven, a ‘knit and natter’ group in a church hall on Monday afternoons, there is the WI, the University of the Third Age and Psychic evenings. On a low table is a file labelled ‘cultural events’ and she bends to begin flipping through but is interrupted by a commotion around the reception desk.

Nancy straightens to peer around a bookcase and sees a figure in a beige waistcoat gesticulating at the librarian, who is responding by adopting a decidedly non-library tone and pointing in the direction of the exit doors.

“Mr Marsh, as I’ve said before we cannot stock every periodical and the library is run according to local authority guidelines. Now I’m sorry but unless and until you are able to follow our code of conduct I am going to have to ask you to leave the building and you may be barred from entering the premises in future.”

Her neighbour doesn’t spot her as he is escorted out of the exit doors. She sits down to look through the file of cultural societies, noting one or two phone numbers down then waits ten minutes before she leaves to avoid bumping into him.

She has walked twenty five yards before a dizzy spell threatens to topple her and she stops by a bus stop, clutching the side of the shelter until it has passed, then perching on the narrow plastic bench inside. A bus pulls up, disgorging several passengers; the driver leaning forward to see if she’s getting on. She shakes her head and takes a few deep breaths as the doors wheeze closed.

 

Back in the flat she feels jittery and unsettled. Perhaps getting on with her unpacking will help. But when she leans down from her bed to get a box out from underneath the dizziness descends like a fog and she sits back up, closes her eyes and sinks on to the pillows. A deluge of jumbled images gushes in to a background of piercing squeaks which rise to a crescendo, at which point her eyes fly open and she is aware of the door bell ringing with an insistent, lengthy clang.

“I didn’t know if you were in.” There is an element of reproach in his frown. “I thought I’d better let you know I’ve put some rat poison down in the alley. In case you go out that way. Let me know if you see anything, won’t you?”

It takes Nancy a moment to gather her thoughts. “Yes. Thank you. I will”.

He clears his throat. “Can I interest you in an early evening glass of wine? Over at my place?”

She pulls the edges of her cardigan together, aware that she is dishevelled from sleep. “Just a small one” he continues and she can think of no excuse to refuse. She keeps him at the door while she slips her shoes on and fetches her bag and keys. “All secure?” he asks, as she locks the door.

His flat is as different from hers as an identical design could be, the surfaces crammed with objects, odd-shaped stones, pieces of wood, metal parts of things; the walls clad in pictures, photos, mirrors and hangings. It feels claustrophobic, as if the entire space is closing in on her. She murmurs ‘thanks’ as he hands her a glass, watching as she takes a cautious sip. “Know your wines?” he asks, “Where do you think that one’s from?”

Tempted to say ‘Tesco’ she perches on the edge of a sagging sofa covered in piles of magazines and shakes her head. He grins, holding his glass up to an imaginary light. “Algeria! You wouldn’t know, would you? A friend brought it back from a trip for me. I love the stuff.” He places his glass on the edge of a shelf, snatches up an object from the coffee table and offers it to her. “What do think this is? Any ideas?” She turns the small, circular, metallic item in her hand. It has an opening with a serrated edge like tiny, sharp teeth

“A nut-cracker?”

He chuckles. “It’s a pepper grinder. African. I bet you’ve never seen one like that before!”

She clears her throat. “I must go, Jeffery. I have some calls to make. Thank you for the wine.”

“You haven’t finished it!”

“No. It’s very nice. But I’m not much of a drinker. It goes straight to my head I’m afraid”. She picks up her bag. He continues to stand, tilting the glass up to drain it then twirling the stem as he watches her.

Back in her flat Nancy makes some tea and takes it into the sitting room. She finds the numbers she wrote down in the library. As she picks up the phone she is distracted by a sound. She sits still and concentrates. There! A scraping, grinding sound, like a pot sliding along on the slabs of the courtyard. Jeffery told her if the rats got into the yard they might dig up the bulbs. She goes to the patio door and pulls a curtain back, peering along the shaft of light that’s been cast. But there is nothing other than the pots standing motionless in their places.     A rat, however large would not be strong enough to move a large, terracotta pot full of earth. The sound must have come from something in the alley; someone trundling something along there, perhaps. She picks up the phone again.

It is two twenty three when she wakes, having fallen asleep thinking about her telephone conversation with Rebecca Fripp, of the local amateur dramatic society. Rebecca’s response to Nancy’s enquiry had been Luke-warm, as if she’d be doing her a favour by allowing her to attend a rehearsal. But they always needed ‘front-of-house’ help, she’d said, even though Nancy’d explained about her experience in set design. Once she is awake, she is unable to drift off again and thinks that perhaps she should get up and make tea. She stretches out her hand to the light and there! There is the sound: scrape. Outside the windows.

She freezes, stomach churning, her skin prickly; but forces her feet to the floor; tiptoes through to the kitchen. She takes her time in the half light, pulling open a cupboard door to withdraw a heavy pan with a long handle. She breathes in long, slow pulls like an automaton. She returns to the living room, pan held to her side in one hand and uses a finger to create a slit of light in the long curtains.

A wind has got up, stirring the trees over the alleyway and chasing leaves around the small yard; but there is also a dark, rounded shape moving around the pots. Nancy grips the pan handle and uses her other hand to inch the patio door open. The swishing breeze is louder as she steps outside, flattening her nightie against her legs. She searches for the shape then spots it-moving from behind one pot to another. In two paces she is there. She pulls her arm back straight like a forehand smash and swings hard at the shape. Crunch! The contact is sickening, jarring her arm as she stumbles. The shape topples and she drops her weapon. She takes a step forward to look but the foot gives way, sliding and she falls to her knees in the wetness, confused. There has been no rain so why is there a puddle? Reaching out she feels fur, wetly sticky; then she is swaying, sinking as the fog descends.

 

She is dressed and in the chair when Sarah arrives. “Ready, Mum?”

Got your tablets and everything?”

Nancy nods. She stares at her daughter, eyes wide. She swallows. “Sarah-I can’t, I don’t…”

“Shh-Mum it’s ok. You don’t have to go back to the flat. Danny and I have packed all of your stuff. You can take a case with you today and the rest will follow.”

“How…how is he?”

“He’s doing alright, Mum. He’s a tough old boy. His skull has a small fracture but it will heal. He doesn’t blame you. He’s an idiot to have been there in the middle of the night! ‘Checking the rat bate’, apparently.

A solitary tear rolls down her mother’s face. “I’ve caused so much harm. I’m so sorry”

Sarah takes her hand. “No, Mum. I’m the one who should be sorry. I should never have nagged you to come. Now we must go or we’ll be late.”

Nancy stands and accepts her daughter’s supporting arm. In the car she sinks back, closing her eyes to picture Meg’s sparkly eyes and the way specks of scarlet lipstick are visible on her teeth when she grins. “You don’t have to downsize, dear” her friend had told her, sitting by the hospital bed. “Just come back and live at my place. We can look after each other, can’t we? And you can come back to The Nettlehide Players, where you belong.”

Nancy had nodded, feeling relief course through her like a transfusion. Of course. It was all anyone wanted or needed. To belong.

 

 

 

 

 

 

 

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Those that can, write, Those that can’t, write too.

                I attend a book club at my local library. It consists of about eight gentile old ladies-[I am including myself in this description although the gentile part is the most inaccurate]. On the whole I love my fellow old ladies. They are smiley, mild mannered, self-deprecating. We talk about a wide variety of subjects-most recently hearing aids, the sights of Rome and foot ailments. Occasionally we come around to discussing the novel we have been allocated by Tracey, the enigmatic librarian. Given that we have all had a month to read said novel we should, by rights have plenty to throw into a discussion about it, however we are almost always as earnest as schoolgirls in our lame excuses.

                ‘I’ve read it but so long ago I can’t remember it’

                ‘I read some of it’

                ‘I couldn’t find it until this morning’-

The Book Club equivalent of ‘the dog ate my homework’.

                The problem lies, I believe with the kind of books Tracey chooses for us [or rather, the set of books that has become available for us]. They are rarely riveting, or if they are, I’ve generally read them already. Hence several recent issues have been, for me unreadable.  

                One of the ladies has literary tastes which are in direct opposition to mine. If there is an odd book that I enjoy I know she is going to declare it ‘rubbish’. One such book was The Great Gatsby, which I had read many years ago and enjoyed rereading. Other tales, such as the very popular ‘One Day’ by David Nichols did nothing for me but gave her much pleasure. You would think, would you not, that such discrepancies in reactions to books would lead to interesting and lively discussion, yet this has still to happen.

                I’m sorry to say I blame Tracey for this lack of debate. Were she to arrive at our table armed with provocative questions the conversation would be sustained and would not veer off on to subjects such as bunions or where to buy fruit teas. We could discuss characters, plot lines, whys and wherefores. We could say why we did or did not get something from the read [or lack of read]. Really there is no excuse, since many novels come ready pressed with the book club questions and stimulants all there at the end of the narrative.

                Just for once though, last week the opinions were unanimous. Everyone was agreed that the novel was one of the very worst we’d ever been given. The book? It was Richard Madely’s ‘Some Day I’ll Find You’.

                Richard Madely is a lightweight journalist and TV presenter who made a name co-presenting a daytime TV chat show with his wife and subsequently as a TV Book Club host. Now I understand completely what makes someone who is interested-even passionate about literature become motivated enough to take up the pen themself. This has happened to me. But the difference between myself and Richard is not associated with writing ability. It is that he, with all his lack of talent has simply thrown into his novel every cliché, formula and hackneyed device he has encountered and produced a tired story which he has not had to send to every literary agent known to man in order to get published. He can sell his boring book on the strength of his name.

It goes to show that reading, whilst useful to aspiring writers does not a writer make. Do I sound jaded? Indeed I am!