Last Laugh of the Laughing Gnome…

What a lot of insincere garbage has been spewed about David Bowie this week! I suppose the press is having an orgasmic moment at the gift his death has given them. We’ve been treated to scenes outside his New York apartment, scenes outside his Brixton flat, scenes outside the place in Berlin where he stayed; what next? Scenes outside a hotel in Llandudno where he might have had a holiday as a child? If he was anywhere now he’d be laughing his multicoloured socks off like he did in that unmentioned-in-the-reports early single, ‘The Laughing Gnome’ [https://www.youtube.com/watch?v=ZyQxTWDLZ8o]

We’ve heard how he ‘changed my life’, ‘changed the face of Britain’, ‘changed world politics’. What next? Changed evolution? Changed the climate? –Oh no-that’s managing to change all by itself.

Of course everyone has had to leap onto the grief bandwagon-from the PM to astronaut Tim Peake. Interviews with ‘grieving’ fans have included a vast number who can surely barely have heard of him, having been born in the 90s. ‘You’ve got your own style icons and musical heroes!’ I want to shout, ‘Leave ours alone!’

But who are they, the world famous, ground-breaking musical geniuses of today? I suppose I am as guilty of ignorance regarding current musical talents as my parents would have been about Bowie, but how many of them span the decades as he did? Ed Sheeran? Justin Bieber? Heaven forbid! Sam Smith and Adele may have produced songs for James Bond movies but I doubt their catalogues will endure forty years.

I was a student when Bowie turned out what I consider to be his best albums, ‘Hunky Dory’ and ‘Aladdin Sane’. These were the upbeat, optimistic, rocky tunes that I still feel were his best; not for me the introspective, brooding ballads that came later. In truth I am probably just a little too old for him to have been a hero since I had cut my teeth listening to rock and roll and came to student-dom from teenage years as a fringe hippy, already having attended Chicken Shack, ELP, King Crimson, Led Zeppelin and Pink Floyd concerts. I arrived to my hall of residence with Carole King, Cat Stevens and Tyrannosaurus Rex LPs to play on my Dansette record player. I adored The Rolling Stones and became obsessed by The Faces. Later I did buy my two favourite Bowie albums, but only these.

Glam rock was already underway by the time Bowie reached a pinnacle. We all bought into it with platform boots, satin shirts and colourful ‘loon pants’, much to the bewilderment of our parents, a generation who were scandalised daily by the appearance, behaviour and culture of the young. Little did they know that Punk was just around the corner and was about to erupt in a grungy rash of piercings, abusive language, noise, snot and vomit.

Now there is too much horror in the news for anyone to be shocked by the culture of youth. Perhaps that’s why music, fashion and popular culture has become so commercial and sanitised? Or is it simply that there is nothing new under the sun? Ho hum…

 

You’re never too old for Rock and Roll

                One of the many aspects of ageing that intrigues me is what I will be listening to [always providing I am able to hear anything] when I am installed in my care or nursing home as a result of having been firmly placed there by my sprogs. They will have done this following lengthy and frequent exhortation by me and having researched widely [I hope!].

                I imagine that such ‘entertainment’ provided by institutions for the elderly consists, if it is adequate, of some kind of sing-along sessions, as well as gentle exercise to music? What, then, will that music be? Because it would have to be derived from popular songs of the inmates’ era, would it not? And what will the songs be?

                Well certainly not ‘Bluebirds over the White Cliffs of Dover’, or ‘Pack up your Troubles in your Old Kit Bag’. These belong to a bygone era. No, the popular music we babyboomers will be jigging in our orthopaedic chairs to will have to consist of hit parade favourites or sixties underground classics or punk. How about sing-along-a ‘She Loves You’ by The Beatles, or Lou Reed’s ‘Walk on the Wild Side’, or The Sex Pistols’ ‘Anarchy in the UK’?

                I like to think there is less of a generation gap in musical tastes as there used to be when I was a teenager, though I fear I am deluded, since I would be at a loss right now to be able to name any tune in the charts today.

Festivals, however are attended by a wide age range, and of course, especially this year, frequently feature vintage bands such as The Rolling Stones headlining act at Glastonbury, pilloried by that most erudite rag, The Daily Mail, with the headline ‘Night of the Living Dead’. Yes, Mailites, the Stones are oldish. They are all pushing seventy. They are wrinkly and craggy looking. Some [Keith] are too arthritic to play their instrument. But here’s a thing-a vast number of people of all ages loved it, including me. Why? Well for me it is generational. They are of my era, playing the songs that define my youth [mostly written by Keith, who merited his place on the stage for having produced such classics as ‘Gimme Shelter’ whether he played or not. The Stones, geriatric though they may be, can play on into their wheelchair years as far as I’m concerned.

And as our little, local music festival draws to a close today I look around at the substantial audience and see revellers of all ages from days old, to old and infirm and from all walks of life, sharing and enjoying the same music and best of all, the acts live on stage. So maybe in real music, unmanufactured by the likes of Simon Cowell etc there is no generation gap after all? And I can look forward to afternoon tea, Bingo and ‘I can’t get no Satisfaction’ when I wind up in sunset hotel.