In Celebration of Summer Music Shabangs-

So in honour of our very own, homegrown music festival, The Christchurch Music Festival, this week’s post is part one of a festival-inspired story, in which I’ve plumbed the depths of my early festival and concert going experiences. The story concludes with part 2, next weekend…

Continuum

                We are waiting. Mickey elbows Dylan and stumbles to his feet, mumbling something incoherent. I glance at Shona. She is wearing her habitual expression of puppy dog longing. ‘Take me!’ it says.

Dylan shrugs before shambling off after Mickey. He calls over his shoulder, ‘I’ll bring us back some chips’, then he’s gone, plunged into the throng that’s gathered for this year’s headliners ‘Continuum’, whose gear is just being set up.

Shona looks at me pink faced. She leans forward and grips my arm. ‘Maz-has Dylan said anything about Mickey and me?’

I don’t want this. I don’t want another ‘does Mickey care about me?’ discussion.

On stage, the roadies are threading cables around the platform and repositioning parts of drum kit. I take a bottle of sun lotion from my bag and unscrew the top, squirt a little on to my finger, inhaling the coconut smell as I spread it over my forearms. I offer the bottle to her. ‘You should cover up, Shona,’ I warn her, ‘the sun is stronger than you think.’

With her fair skin and white blond hair she could burn in a rainstorm, but she shakes her head. ‘Tell me’, she pleads. ‘What’s Mickey said about me?’

I’m scanning the surrounding crowd now for Dylan’s large, reassuring bulk to reappear with the chips and it’s getting tricky keeping this space with standing, jostling fans closing in around us. How will Dylan and Mickey find us? The ‘Metallica’ T-shirt they tied to Shona’s umbrella as a marker is submerged and in a moment I’m going to surrender to claustrophobia so I get to my feet like everyone else. I lean down to her.

‘Can we talk about this later, Shona? We need to pick our stuff up and get ready for Continuum. If we hold up the umbrella the boys will see it.’

Shona didn’t come for Continuum. On the train she’d played no part in the argument about which of their two albums was better or whether the new bass player was any good. She hadn’t joined in with any of the songs and had admitted to not owning any of the band’s music. Shona is here because of Mickey. Mickey is barely aware of her existence.

She is up at last and I can pull the rug up, roll it and stuff it in my bag. I turn to her. ‘Look!’ I shout, ‘the announcer is on stage. They must be ready to come on! Where have those boys got to?’ I squeeze the T-shirt clad umbrella under my arm and stand on tiptoes, straining to see above the mass of bodies.

‘Maz’ she persists. ‘What do you think I should do?’

I want to swat her like an irritating fly now and I’m mad at Mickey for leaving her with me. ‘What do you mean, ‘do’? Just enjoy the band, Shona, like everyone else. It’s what we came for.’

But she is not to be distracted. ‘You and Dylan,’ she says, her voice raised to a plaintive squeak above the burgeoning excitement of the fans, ‘You’re so good together. I want that for Mickey and me. I want us to be a proper couple like you are.’

I turn to her. ‘Shona, Dylan and I aren’t a ‘couple’. We’re just mates hanging out until we go to uni. We get on ok, that’s all.’

She stumbles a bit, jostled by fans behind her and turns to throw them a furious look. ‘All I want is Mickey. I want him to marry me.’

I stare at her. How can she be so deluded?

‘Continuum’ concludes next week. Check into ‘Anecdotage’ to finish reading the story.

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Festival Time

Weather or not [and more often inclement]-it’s festival season. They’ve become bigger and more elaborate over the last fifty years. As a teenager I escaped the parental gaze and attended plenty of concerts, some of which were outside, notably Pink Floyd in Hyde Park on a blazing hot day, July 1970. I was seventeen. The concert, like other Hyde Park gigs, was free.

The mother of all music festivals, Woodstock had been in 1969. It held an alluring, magical quality for us then; we who would never have the option to attend packing instead into the cinema to worship our heroes-Hendrix, The Who, Janis Joplin, Ten Years After and the rest.

Festivals began to be a feature of the summer. The Isle of Wight, Glastonbury and Reading became fixtures and were supplemented by a rash of music events as time progressed.

Now it seems there is a festival on somewhere every week during the summer months but the free and easy ethos of the sixties is long past. Most of the larger, well known events carry an eye-watering ticket price, often with facilities to match, for those prepared to pay. Glastonbury offers luxury yurts with en-suites, although those with a thirty pound, pop-up tent are still welcome. There are multiple stages offering a range of entertainments, food from every culture, handy stalls flogging much needed wellies and waterproof capes.

Last weekend we were once again running our own, local, modest music festival on a green stretch by the River Stour. The festival has run for twenty five years, charging a small sum for entry and donating any profits to charity. The performers play free, the staff are unpaid volunteers; but the festival is under threat from council regulations and spiralling costs. Sadly, security has had to be put into place to keep real music lovers, festival goers and families just wanting a happy day out safe from gate-crashers, those wanting to bring their own alcohol rather than using the festival beer tent and other party poopers. They are few but still not welcome.

In addition to all of this, we volunteers are almost all getting on in years. Putting up fencing, constructing a stage, fetching and carrying, bin emptying and litter picking late into the night takes a toll-especially on Husband, who has the added anxiety of responsibility for administrative matters. As a lowly ticket seller and general helper my duties are less imperative, but the role can be varied. This year I undertook tasks ranging from repairing plastic swords [purchased from a toy stall] to retrieving a pair of stray dogs that threatened to run wild inside the compound. Then there are arrogant young men who strut past the ticket booth with a nonchalant swagger and have to be called back, large families who flock in, people for whom complaint is a lifetime goal-especially when it comes to forking out £5 for a day’s music!

But in a quiet moment, when the sun shines and we pause to survey the arena where groups of festival goers are lounging on picnic blankets, children playing, a swarm around the beer tent and a full marquee it feels like a great thing to do.

 

The Tale of a Festival

The hedonistic, gargantuan, explosion that is the festival season is well underway. Here in the UK we have just had the mother of all festivals in the form of Glastonbury, to the excited trilling of some and the grumpy grumbles of the ‘not-like-it-used-to-bes’.

No, festivals, and indeed live music concerts are like anything else, not what they used to be. This is generally taken to be a bad thing but is not necessarily always so.

The first Glastonbury festival [known then as the Pilton festival] was held in 1970, although festivals had begun to take place on the Isle of Wight and elsewhere before this. In the USA there had already been Woodstock, which set the bar for festivals to follow, was turned into a feature-length movie and passed quickly into legendary status. Watching the film was the nearest we British teenagers were going to get to a Woodstock experience although not all of it was riveting. I remember the thrill of Ten Years After but Sly and the Family Stone must have been somewhat less enthralling because I did actually drift off during that bit.

As the third and last child of the family I was cut some slack during my teenage years and able to do pretty much as I liked. My then BF was a grammar school attendee and a choirboy, attributes which must have assuaged any fears for my safety and morals my mother had. This meant I was able to attend live music events and indulge in the inevitable, obligatory experiences they provided, legal or otherwise, with impunity.

As much as anything, festival or concert going enables those who’ve been there to analyse, relate and share years after the event. Hence ‘I saw The Stones at Hyde Park’ or ‘I saw Dylan at the Isle of Wight’ bestows a kind of status on the sharer of this information. Knowing this, merchandisers can make loadsa money from flogging commemorative T-shirts bearing details of the festival and most importantly, the date. This says of the wearer ‘I was there’.

This weekend, the first in July is the date of our own, local, modest music festival. During the last few years Husband has taken on an organising role, provoking much gnashing of teeth and tearing of hair as the date approaches. The regulations, risk assessments and fire documents, which become more demanding each year have at last been completed. The fencing, stage and marquee are all up. I prepare to step into my, more meagre role-that of selling tickets at the gate or picking up litter. The proceeds, such as they are go to local charities, the bands giving their performances free, the crowd gathered from the immediate community. It is anxiety-inducing and exhausting-no less for the fact that we stagers are increasingly old-stagers-but remains fascinating and fun. As they stream through the gate dressed in their ‘festival’ finery, children, dogs, wheelchair grannies, minders, partners and friends in tow it is like watching a smiling carnival procession, and all with one aim-to enjoy a weekend of music in the summer sunshine…